pr_adioguide

PROGRAMME CURIOUS
LITTLE
SISTER
CUTS
FOR
PURPOSE

Cut For Purpose is the first project of Museum Boijmans Van Beuningen’s Stadsredactie (City Editorial Board). This project, produced in collaboration with Stealth.[u]ltd, examines how urban dynamics can find their way into the museum space.

To facilitate this, a grid of larger than man-sized cardboard sheets fills the entire space of the Straatgalerij. Within this structure, spaces will be purpose-cut to house a variety of activities. After the nine weeks the remaining structure will represent an imprint of all the activities that have taken place.

The cardboard structurecreates a temporary condition in the Straatgalerij that invites exploration, participation and reflection. Its programming examines the interests and needs of the Stadsredactie, the artists, the museum and the city itself within the framework of this cardboard structure and consists of a variety
of activities including film screenings, solo interventions, video presentations and
gatherings. There will also be residencies for a writer, an artists’ initiative and a design studio.

Out of interest as to the needs, discussions and questions current in Rotterdam, the Stadsredactie has also issued an Open Call to artists, design-ers and theoreticians to react to the cardboard structure. Three of the respondents have been invited to make a contribution to Cut for Purpose and to implement their proposal in the Straatgalerij.

Cut for Purpose will end with a finissage on Saturday April 22 at which the results of the
project will be presented.

About Stealth.[u]ltd:
STEALTH.unlimited is a Rotterdam-based practice comprising Ana Dzokic, Mario Campanella and Marc Neelen. Stealth conceives tools that deal with the complexity of the contemporary urban condition and specifically the relationship between planned and non-planned urban processes. Their projects experiment on the borderlines of cultural and technological domains.
Stealth developed the spatial structure Cut For Purpose and the transformative process that guides the interventions within it during the coming nine weeks in the Straatgalerij.

Check their website for more information:

www.stealth.ultd.net

Foto: STEALTH.unlimited

ZOOM

BIG TYPE SAYS MORE
TUE FEB 28, 2006 / FRI APR 14, 2006

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SIGNATURE OF THE CITY
TUE FEB 28, 2006 / WED MAR 29, 2006

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CUCOSA AT WORK
WED MAR 08, 2006 / SUN APR 02, 2006

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THE CROOSWIJK METEORITE
SAT FEB 18, 2006 / SUN APR 23, 2006

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A CERTAIN BRAZILIANNESS
FRI APR 21, 2006 / FRI APR 21, 2006

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FRUITPORT AT WORK
WED MAR 08, 2006 / SUN APR 02, 2006

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WATCHED, DESCRIBED AND CAUGHT FOR PURPOSE
TUE FEB 28, 2006 / SUN APR 23, 2006

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CUTS AND LAYERS
TUE FEB 28, 2006 / SUN APR 23, 2006

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CUT FOR PURPOSE
SAT FEB 18, 2006 / SUN APR 23, 2006

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AMBITION
TUE MAR 21, 2006 / SUN APR 23, 2006

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CURIOUS LITTLE SISTER THROWS A METEORITE
FRI FEB 24, 2006

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DUPLICATE SALE!
FRI MAR 24, 2006 / SAT MAR 25, 2006

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LLINK 747 LIVE
WED APR 26, 2006 / WED APR 26, 2006

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FILMS ON MONITOR
TUE FEB 21, 2006 / SUN APR 23, 2006

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CURIOUS LITTLE SISTER GOES EXCLUSIVE
WED MAR 08, 2006

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LAURENS ABBINK SPAINK
TUE APR 04, 0 / FRI MAY 05, 0

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PECHA KUCHA NIGHT ROTTERDAM
WED APR 26, 2006 / WED APR 26, 2006

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CUTS
AND
LAYERS
TUE FEB 28, 2006 / SUN APR 23, 2006
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Composed Cuts and Time Layers of the Inside and Outside Sound over a 9-week period.

ZOOM
Edwin van der Heide (NL) works as an artist in the fields of sound, space and interaction. His original background is in electronic music. He graduated from the Institute for Sonology at the Royal Conservatoire in The Hague in 1992. His current work is hard to define in the traditional terms of music, sound art or media art. Van der Heide operates on the edge of the medium and incorporates its characteristics. In this sense the medium does not just mediate but is also explored, redefined and finally composed using a musical approach involving a new language of communication. The fact that qualities inherent to musical language are employed in developing the work does not mean that its final presentation form is related to the conventional concert; it may also take the form of an installation, a performance or an environment. During Cut for Purpose he will re-compose the sounds made in the Straatgalerij over the course of the nine weeks, creating new relationships between them. He will zoom in on (or out of) time: Cuts and Layers. Composed Time Cuts and Time Layers of the Inside and Outside Sound over a 9-week period.




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