CUTS
AND
LAYERS
AND
LAYERS
TUE FEB 28, 2006 / SUN APR 23, 2006
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Composed Cuts and Time Layers of the Inside and Outside Sound over a 9-week period.

ZOOM
Edwin van der Heide (NL) works as an artist in the fields of sound, space and interaction. His original background is in electronic music. He graduated from the Institute for Sonology at the Royal Conservatoire in The Hague in 1992. His current work is hard to define in the traditional terms of music, sound art or media art. Van der Heide operates on the edge of the medium and incorporates its characteristics. In this sense the medium does not just mediate but is also explored, redefined and finally composed using a musical approach involving a new language of communication. The fact that qualities inherent to musical language are employed in developing the work does not mean that its final presentation form is related to the conventional concert; it may also take the form of an installation, a performance or an environment. During Cut for Purpose he will re-compose the sounds made in the Straatgalerij over the course of the nine weeks, creating new relationships between them. He will zoom in on (or out of) time: Cuts and Layers. Composed Time Cuts and Time Layers of the Inside and Outside Sound over a 9-week period.
›› www.evdh.net
———————————— ———————————————————————————

Composed Cuts and Time Layers of the Inside and Outside Sound over a 9-week period.

ZOOM
Edwin van der Heide (NL) works as an artist in the fields of sound, space and interaction. His original background is in electronic music. He graduated from the Institute for Sonology at the Royal Conservatoire in The Hague in 1992. His current work is hard to define in the traditional terms of music, sound art or media art. Van der Heide operates on the edge of the medium and incorporates its characteristics. In this sense the medium does not just mediate but is also explored, redefined and finally composed using a musical approach involving a new language of communication. The fact that qualities inherent to musical language are employed in developing the work does not mean that its final presentation form is related to the conventional concert; it may also take the form of an installation, a performance or an environment. During Cut for Purpose he will re-compose the sounds made in the Straatgalerij over the course of the nine weeks, creating new relationships between them. He will zoom in on (or out of) time: Cuts and Layers. Composed Time Cuts and Time Layers of the Inside and Outside Sound over a 9-week period.
›› www.evdh.net


